Zabette - An American Opera in
Three Acts
Music by Curtis Bryant, Libretto by Mary R. Bullard
(duration 2 hrs. 15 minutes)
Premiered in April 1999 in Atlanta’s
historic Rialto Theater. It was produced by Georgia State
University School of Music under the artistic direction of W. Dwight
Coleman. Additional support was provided by the Southeastern
Archeological Center, National Park Service. - View Details
The Anarchist - A Two-Act Opera Thriller
Music by Curtis Bryant, Libretto by Allen Reichman
Based upon "The Secret Agent" by Joseph Conrad (1907)
(duration 1 hour, 50 minutes)
Scenes from "The Anarchists" have been performed at Georgia State
University - View Details
“Bryant's
poignant 'portrait aria' from his opera Zabette and his
three biblical songs aim at recapturing some of the melodious tonality
'contemporary' classical music of the twentieth century
rebelled against.” (Marta
Steele, Words
UnLtd., 2003)
“Bryant is a chameleon
composer [whose] catalog covers everything from opera to chamber music
to film soundtracks.” (Pierre Ruhe, Atlanta
Journal-Constitution, 2007)
Bryant and His Operas
It is no coincidence that
Curtis Bryant developed an interest in the arts and history of his
native South. Born in Atlanta with family roots going back to the
city's founding days, he counts several relatives who were accomplished
musicians: a concert harpist, a violinist who performed with the
Atlanta Symphony in its early days, and a great aunt who wrote
songs. Bryant has long held an interest in opera, but his first
opportunity to collaborate with a librettist came by pure chance.
In 1995 he received a phone call from his friend Ed Weldon, then
director of the Georgia Department of Archives and History. It
turns out that Georgia historian Mary R. Bullard had come across a
story that she felt was material for an opera -- the story of Elizabeth
Bernardey, the mixed-race mistress of Cumberland Island plantation
owner Robert Stafford. When she told Weldon that she felt that a
Georgia composer should be found to write the music, he called Curtis
saying "your the only composer I
know." Thus began the
collaboration that eventually led to Bryant's first opera,
"Zabette." - View Synopsis
Bryant is now completing work on his second operatic endeavor, "The Anarchist," based
upon Joseph Conrad's dark novella, "The Secret Agent," written
in 1907. The story of his meeting with librettist Allen Reichman
is equally full of twists. Reichman, a New York forensic
psychiatrist who is also a long time opera lover, had nearly finished
work on a libretto adaptation of "The Secret Agent" when he began his
search for composers. After unsuccessfully contacting several
well known candidates, he received a list of seven composers of recent
operas who had submitted their works to the New York City Opera's Vox
Reading Sessions. In the stack was Bryant's opera
"Zabette." Bryant recalls, "an e-mail led to a several more
exchanges and finally a phone call." Their new collaboration was
underway.
Reichman says "The Secret Agent is the perfect story for an
opera. After all, it has an accidental death, a maternal
obsession, a murder with a pointed weapon, a betrayal, and a death by
suicide." After some discussion, Bryant and Reichman decided on a new
title for their opera: "The Anarchist." Bryant says "We changed the name, because the
original title seemed to connote a 'cold war' era theme, but its story
line is much more relevant to
today's world of terrorism and our current xenophobic political
climate." The
story is about an anarchist and reluctant terrorist named Verloc, who
uses his developmentally disabled brother-in-law to plant a bomb at the
Greenwich Observatory in London. The job is bungled and the young
Stevie is blown to bits in the park. What Verloc doesn't realize is
that his wife, Winnie has a maternal attachment to her younger brother,
and when she learns that her husband has been the cause of his death a
new level of familial anarchy ensues. - View
Synopsis
Back to
top
|